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« Harvesters Resting | Main | Otienno: Three sessions from the live model. »
Self Portrait at 51 (2008)
by Warren Chang on 9/17/2008 9:27:35 PM


Self Portrait 2000, 20" x 16"
Recently I wrote an article (actually written more than 4 years ago) published in International Artist Magazine discussing the advantages to utilizing photography in painting.  Although I put on a brave face, I must admit that there is some amount of guilt I feel about the use of photography.  Nothing feels so honest and pure as painting direct from nature.  So in this blog I wanted to show a recent step by step self portrait I completed from "life" using a mirror. 
In a way, this is revisiting a self portrait I completed (pictured left) from a mirror back in 2000, when I was 42 and living in Brooklyn, New York.  In this new self portrait as in the old, I set up one source of strong light sitting over my left shoulder and eliminating all other light sources.  I worked primarily at night to achieve this.  The 2000 version was completed in two 3 hour sittings while this newer 2008 version was completed over the course of a week.  Each stage below represents what was accomplished each evening.  I would photograph the results the following morning outside.  Its interesting for me to see the changes after almost nine years in myself.  Aside from my now grey hair, glasses and 10 plus pounds I'm pretty much the same.
 
Day 1: I started with vine charcoal to block in the basic placement of the figure and composition. Size of head, placement of hands were determined at this stage.  I spent around 5-10 minutes on this rough gestural stage.
   
Day 2: I then used a thin wash of flesh tone to establish a mid-tone for the face and arm before starting to draw with the paint using mostly raw umber.  At this stage I also added the artist's smock.  I felt the t-shirt alone was too bland and the smock added a bit of costume interest.
 
Day 3: I spent another couple of hours working out the drawing continuing to use raw umber.  The face in particular was reworked.  The maul stick was added at this stage.  I discovered myself holding it and decided it was an effective element.
   
Day 4: I started in earnest with the face and head as well as part of the background to relate to the head in terms of color, value and edge relationship.
 
Day 5: Completion of the upper background and t-shirt.
   
Step 6: Completion of book shelf, suggestion of books and artist's smock.
 
Day 7: This is the finished painting. It measures 29" x 19" and is on oil primed linen canvas.  Although in reality I am a rather neat painter, I decided to add the paint stains on the smock for effect.
   
"Self Portrait at 51 (2008)" Detail







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Sharon Weaver
via web
Beautiful self portrait with a great step by step demo. Thanks for the mini lesson. I paint landscapes but the same rules apply no matter the subject.

dory grade
via web
Thank you, Warren for your inspiring integrity evident in your
approach and the honest results achieved in your self portrait.
International Artist Magazine, where I first saw your work,
needs to pay more attention to the human brain and the magic
of creative process and skill in personal interpretation as
apposed to mechanical production "speedy stuff "that doesn't
involve heart and soul. I feel witness to your presence in your
portrait. Thank you. Sincerely, dory grade.
Warren Chang
via web
Thank you Dory for taking the time to comment.
I appreciate your kind words.
Best, Warren
Warren Chang
via web
Hi Sharon,
Thanks for your comments. I'm glad that these step by step posting are useful.
Warren
michael david arthur
via web
THANKS, HAVE BEEN FOLLOWING YOUR ARTICLES IN THE INTERNATIONAL ARTIST WITH GREAT INTEREST.I MUST ADMIT THAT I ONLY PAINT FROM PHOTOGRAPHS. YOU HAVE TAUGHT ME TO START WITH TONAL PAINTING FIST BEFORE USING COLOUR,
ONCE AGAIN THANK YOU.
YOURS SINCERELY .
MIKE ARTHUR
Warren Chang
via web
Mike,
Thanks for writing. Its rewarding to hear that artists like yourself are learning from my articles.
Best,
Warren
wendy chazin
via web
I love the use of light in your paintings, particularly in Father and Son. I see also that you spent some time teaching at Pratt in BYC, my hometown. How lucky they were to have
had you!

Your paintings are quite amazing.

Thank you for sharing them.

Wendy Chazin
Warren Chang
via web
Thank you Wendy for your kind words. I'll put you on my mailing list of events if you don' mind.
Best,
Warren









 

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